Avery, Here at the Cincinnati Conservatory we're pretty much in the same boat as Alan at Oberlin. We have three halls and hundreds of concerts or recitals a year. In peak periods there can be three piano recitals back to back on the same instrument. Needless to say, you learn a lot about your tuning stability in this scenario. We start every day (7AM usually) in the halls and usually have until 9 AM to set matters right. For faculty or guest artist recitals I have convinced the scheduling office to give me an hour before the doors open for the concert, but this is fairly rare, and I am just polishing the tuning at that point. I , like Alan, will let the overall pitch fluctuate a couple of cents before retuning because I simply can't afford the time or the potential for destabilization. Though it varies, I usually will give a full tuning every week to each instrument. Eric
This PTG archive page provided courtesy of Moy Piano Service, LLC