Horace, Del, List I was fortunate know Leonard Jared enough to be able to visit his shop and remember some exhortations about screwing the bell bolt too tight without taking into consideration a whole bunch of circumstances. Lenoard was a great teacher, and would not set you up as one with a little knowledge that might be dangerous. Like a good teacher he knew what I knew, and didn't bother with stuff over my head. But boy did he have a way of bringing up your level of knowldege, as if narrowing the great abyss between what he knew and what you knew to a mere chasm. And if he were here to day and could be induced to post to caut, I am sure he would reply, "Well yes, Richard, but your chasm is the Grand Canyon." That would be typical Leonard, but what else can a great teacher say? So if anyone has anything more to say about the bell bolts on Steinways, like how should I inspect it the first time I see it on a new client's piano, or assuming I just came on as a caut, what should I look for, from piano to piano, (would that be from B to C to D ?) such advice would be greatly appreciated. Richard Moody ---------- > From: Horace Greeley <hgreeley@leland.Stanford.EDU> > To: caut@ptg.org > Subject: Re: Letter to PTG Technical Editor (fwd) > Date: Wednesday, July 29, 1998 9:43 AM > > > > That's why I said "relatively minute". Like so much else in this > work, one thing may serve several purposes. I should note that > common practice (in some circles) when installing a "CountryMan" > pickup was the removal of both the bell bolt and the screwed down > strut. I do not ever remember an instrument in which this made an > appreciable difference in net tone. > > Also, I picked up this habit from an old S&S frog, as well as Keith > Hardesty and Leonard Jared. Having used it as a process for > some time now, I can relate no broken plates, and many, many > "improved" instruments. > Best! > > Horace > > > > > > > > >Horace Greeley wrote: > > > >> It might also be that the bell bolt is too tight.
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