There are a number of felt types used for making hammers. When I order felt for Isaac hammers I have the felt density vary from bass to treble to affect a graduation of hammer impact accross the scale. I have always thought this variation in hammer impact needs to correspond to the variation in string taughtness. The strings in the low bass, in effect, run away from the hammer as soon as they are hit so that the hammer has to allow for a deeper or extended push, or impact so as to deliver the desired energy to the bass string. The further up the scale the hammer impact occurs - the less the string runs away from the impact due to its increased taughtness. The impact and all it delivers, need to happen faster, in other words, to take less time to complete. The graduated density of the felt sheet enables the hammers to perform this graduated impact with a minimum of monkeying with hardeners, irons and other forms of hammer torture, not to say, technician torture. A sheet of hammer felt of graduated density - not merely graduated durometer reading - is a good deal more expensive to have made. You can see why hammer felt of uniform density throughout the scale tends to be the norm. Graduated density means, among other things, that the wool fibers have to decrease in diameter towards the treble end. This nice feature of the felt sheet ensures not only a far more musical piano tone but a huge increase in the voicing stability of the hammers. Thank you for everybody's interest. get in touch with me with anything concerning hammers. Ari Isaac
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